Pimmon vs. Giardini di Miro | Giardini di Miro vs. Pimmon

2.nd rec/Fiction Friction | 10

Note: The above 10" was forwarded - with press releases - to Fällt designers Fehler. In the absence of a turntable they fed existing press releases and reviews through a variety of TIME-OUT online translation services. The results are as follows:

For this release the Italian TIME-OUT post office skirt bind Giardini di Miro meets Australian post office techno sound artist Pimmon on a split 10". TIME-OUT Initially planned as a 7" with a GdM song on one side and a remix by Pimmon on the flip, the project evolves from a liberation, parted from a conventional split release to a more collaborative character, since the artists TIME-OUT start to exchange audio material throughout the creative process.

TIME-OUT

Date: 12.2000 TIME-OUT Format: 5 TRACK

On 'gdm02.juicefuls' GdM arrange some awkward drumcomputerloops TIME-OUT and guitarsamples with sound material provided by Pimmon, while on 'post (office) dm' TIME-OUT Pimmon bends and blurs guitar feedback by GdM beyond recognition...

REVIEWS: Determine be all specification false, the I here make, all very much obscure, look up simple after a 10" in transparent vinyl and light blue label, then light blue and wonderful how / as the first TRACK of Giardini, then an Indieballade with schlagzeug and trumpet how / as they Mouse on Mars also always when Opener or how / as now next month when conclusion on their disk have. TIME-OUT Not in vain be called the TRACK 'Penguin Serenade'.

Then super gehts equal far. The guitar still dream, TIME-OUT now in Duett with the Drumbox. Mad Indieschluff. Pimmon then (how many Pimmons give it actually?), somehow elekronischer, look up a way by its studio and leave old tape to orientation. It blinzelt friendly harmonious, then slow but safe always unclear, distort, until finally all only backwards run seem.

TIME-OUT

Very much confuse from de-bug magazine, Germany.

[DB via F]



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